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When we opened the studio in 2014, we made a promise to each other before we made anything else: nothing leaves our hands unless we'd still want to be seen in it a decade from now. It sounds simple. In practice, it has shaped every fabric we've bought, every hire we've made, and every collection we've quietly walked away from.
Read the storySix dispatches we keep returning to — on cloth, on craft, and on the quiet decisions that shape a wardrobe worth keeping.
A week in the fabric library in Biella, where our head of design argues that the cloth tells you what it wants to become — and why we've learned to listen before we cut.
Three hours with our master pattern-cutter, Isuri. On the geometry of a sleeve, the cost of a millimetre, and why the best blazer of the season never made it to production.
Most houses drop twelve collections. We drop two. An honest account of what slow release buys us — and what it cost us in the first three years.
Our tannery partner in Santa Croce has been at it for four generations. A conversation about vegetable tanning, patina, and the difference between leather that ages and leather that just wears out.
What happens when you own thirty pieces instead of three hundred. A case for the considered rotation — and a practical guide to getting there without throwing anything away.
A field guide to washing, storing, and quietly repairing the pieces you own — from wool knits to full-grain leather. The small rituals that double a garment's life.
One letter a month — the story behind an upcoming piece, a studio visit, or a guide to living with the clothes you already own. No spam. Unsubscribe anytime.
A quiet letter. Never shared.